Diana Gabaldon outlines why published authors almost have to take anti-fanfiction stances, some suggestions on how to make fan fiction original fiction, what characters are safe to use, and some of her own personal problems with fan-fiction, including the existence and repeated application of Rule 34. After some amount of wank, including bits we’ll get to later that show at least the possibility of mass hypocrisy, she released a second post explaining some of those issues and rebuttals and expounding upon her positions. (And then, there's a third post that's supposed to be the final word on it.)
After reading these pieces, I knew it was going to develop into a long-form comment. So let’s go through it and see what develops.
First, the legal reasons: Copyright infringement is still copyright infringement, regardless of making money, and there’s always the possibility that not smacking every single instance down that the author is alerted to will be used as a legal defense to basically say the equivalent of “But she was asking for it by the way she was dressing.” Thus, published authors whose characters are still under copyright, as a general rule, officially hate fanfic, and possibly other fanworks, and once they know it exists, they will make you remove it.
Despite this, there is obviously a thriving fan fiction community that keeps itself alive by following the first rule of Not Being Seen. And any author that believes by taking an anti-fanfic stance, it vanishes, is kidding themselves. Ones that are particularly successful at squashing fic may invoke the wrath of 4chan, among other possible places, to propagate lots of poorly-written fic across the Intarwebs. Japan’s Comiket seems to point out that it is possible to live and let live on the fancreations, at least for the most part. Some people are famous and/or get hired into the regular studios because they consistently sell out of their fancreations, so there’s clearly some quality work present.
So now that both sides understand each other, let’s move forward into the other side of the argument: the writerly bits. These consist of three major points: You can create original fiction - just change the names, You can find feedback circles that will like your original fic and give comment, and Good Writing Takes Time, so you’ll just have to be patient, instead of scribbling fic to fill the void.
The first point basically hinges on the conept that There Are No New Ideas, only Recombinations. Thus, file the serial numbers off of your fan-fiction, change some names to protect the copyright, and look! You have an original piece. That will be compared immediately to the item that you cribbed from, whether favorably or unfavorably. Mostly unfavorably based on her assumption (at least, I see that assumption) that many fanfic writers are doing it to learn how to write, and are thus unpolished, or because they’re hack writing without the benefit of being paid to do so, because they lack the courage to strike out on their own. True courage comes from writing original stuff, reusing The Tropes, The Settings, and The Archetypes, but not The Names. In Part Three, she says that pretty explicitly - the ideas can't be copyrighted, but the particular incarnation of those ideas given form and name, can be. Truthfully, though, that’s a weak argument - if you can copy everything but the name, then apparently only the name matters, which is totally not the case for good writing, yeah?
I don’t think fanfic writers lack courage. Mind you, it may be the courage of The Anonymous, and some writers would be morbidly embarrassed were their habits to come out into the light of their regular lives. Considering that writing anything and publishing it opens one up to the very real possibility of trolls, angry shippers of a different pairing, and people who sniff at your work and dismiss it as juvenile, hack writing, or just plain Not Good (regardless of the truth value of their critique, mind), stepping out into that world, even just on-line, takes some thickness of skin.
Second, fanfiction is the route to AU. Where some settings, like “Doctor Who” can actually canonically play with the “what if?” concept (Turn Left, a Series 4 episode (of the 2005 New Who), is this concept applied, parallel universe and all), most stories, shows, and settings march forward through their narrative, pruning off the bits where something else could have happened and rarely ever revisiting them. It would be quite awesome to see a writer that could make a career out of writing all the major permutations of the major events of one timeline. Start with how it happened, then play Chrononauts with it to show how it happened with those choices, and then again with these choices instead, when those choices lead to major story divergeneces. The “Well, I saw the big shiny rock, but I passed it by. So I lived a boring life until the aliens wiped us all out.” story can probably go by. If it turns into a narrative about watching some other person be the hero and wishing they were them, possibly to the point of doing something stupid to help the hero, though, that’s a possible story.
Bits II and III, about how writing takes time and how comment circles exist for original works, too, play into the idea of “write your own stuff” mentioned above. The problem is, “Write your own stuff” runs at almost cross purposes with another common piece of writerly advice - “You only get better at writing by writing”. Ideas come from anywhere, sure, but comfort zones still apply - it’s easier to write using a scaffold provided for you than it is to build the whole thing from scratch. Plus, knowing what something should sound like in an established universe can help refine the writing process as well to catch the right rhyme, meter, and characterization that will come in handly later when keeping original characters consistent with themselves and their setting. (Or in learning the right ways to bend any of them so that they still fit in the framework even if they are deliberately OOC.) The fans can tell when something is done right (usually). Comment and criticism and readers are sometimes better able to help you with your writing and characterization if you’re using an established framework because they can compare to the official work and show where the shortcomings and the good parts are. For some part of building your narrative self and your authorial style, scaffolding works. Taking the step out into original characters just exercises the other part of the good author and narrative, that of building one’s own scaffold to write from. That requires even more courage, because it says “I‘m good enough to try doing this by myself, and I want to further my writing craft.“ It’s the beginning of the step from casual to hardcore, as it were. Once out in that realm, it’s a very short step to ”I’m going to focus on this and dedicate the right kind of time and effort to it to make myself better.” Most people won’t go that far.
In Part II, the authoress says that she hadn’t considered the possibility that people were doing it out of love for the author and her characters (when, if you read the original, she dismisses this very reason as legitimate), because the quality of the fan-fic material she’s seen certainly doesn’t seem to engage in a lot of love, even though all the other creative creations she’s seen or been asked to do are totally okay. What is she talking about? Well, there is one other issue left to discuss...
...and we’ll do it in the next entry.
After reading these pieces, I knew it was going to develop into a long-form comment. So let’s go through it and see what develops.
First, the legal reasons: Copyright infringement is still copyright infringement, regardless of making money, and there’s always the possibility that not smacking every single instance down that the author is alerted to will be used as a legal defense to basically say the equivalent of “But she was asking for it by the way she was dressing.” Thus, published authors whose characters are still under copyright, as a general rule, officially hate fanfic, and possibly other fanworks, and once they know it exists, they will make you remove it.
Despite this, there is obviously a thriving fan fiction community that keeps itself alive by following the first rule of Not Being Seen. And any author that believes by taking an anti-fanfic stance, it vanishes, is kidding themselves. Ones that are particularly successful at squashing fic may invoke the wrath of 4chan, among other possible places, to propagate lots of poorly-written fic across the Intarwebs. Japan’s Comiket seems to point out that it is possible to live and let live on the fancreations, at least for the most part. Some people are famous and/or get hired into the regular studios because they consistently sell out of their fancreations, so there’s clearly some quality work present.
So now that both sides understand each other, let’s move forward into the other side of the argument: the writerly bits. These consist of three major points: You can create original fiction - just change the names, You can find feedback circles that will like your original fic and give comment, and Good Writing Takes Time, so you’ll just have to be patient, instead of scribbling fic to fill the void.
The first point basically hinges on the conept that There Are No New Ideas, only Recombinations. Thus, file the serial numbers off of your fan-fiction, change some names to protect the copyright, and look! You have an original piece. That will be compared immediately to the item that you cribbed from, whether favorably or unfavorably. Mostly unfavorably based on her assumption (at least, I see that assumption) that many fanfic writers are doing it to learn how to write, and are thus unpolished, or because they’re hack writing without the benefit of being paid to do so, because they lack the courage to strike out on their own. True courage comes from writing original stuff, reusing The Tropes, The Settings, and The Archetypes, but not The Names. In Part Three, she says that pretty explicitly - the ideas can't be copyrighted, but the particular incarnation of those ideas given form and name, can be. Truthfully, though, that’s a weak argument - if you can copy everything but the name, then apparently only the name matters, which is totally not the case for good writing, yeah?
I don’t think fanfic writers lack courage. Mind you, it may be the courage of The Anonymous, and some writers would be morbidly embarrassed were their habits to come out into the light of their regular lives. Considering that writing anything and publishing it opens one up to the very real possibility of trolls, angry shippers of a different pairing, and people who sniff at your work and dismiss it as juvenile, hack writing, or just plain Not Good (regardless of the truth value of their critique, mind), stepping out into that world, even just on-line, takes some thickness of skin.
Second, fanfiction is the route to AU. Where some settings, like “Doctor Who” can actually canonically play with the “what if?” concept (Turn Left, a Series 4 episode (of the 2005 New Who), is this concept applied, parallel universe and all), most stories, shows, and settings march forward through their narrative, pruning off the bits where something else could have happened and rarely ever revisiting them. It would be quite awesome to see a writer that could make a career out of writing all the major permutations of the major events of one timeline. Start with how it happened, then play Chrononauts with it to show how it happened with those choices, and then again with these choices instead, when those choices lead to major story divergeneces. The “Well, I saw the big shiny rock, but I passed it by. So I lived a boring life until the aliens wiped us all out.” story can probably go by. If it turns into a narrative about watching some other person be the hero and wishing they were them, possibly to the point of doing something stupid to help the hero, though, that’s a possible story.
Bits II and III, about how writing takes time and how comment circles exist for original works, too, play into the idea of “write your own stuff” mentioned above. The problem is, “Write your own stuff” runs at almost cross purposes with another common piece of writerly advice - “You only get better at writing by writing”. Ideas come from anywhere, sure, but comfort zones still apply - it’s easier to write using a scaffold provided for you than it is to build the whole thing from scratch. Plus, knowing what something should sound like in an established universe can help refine the writing process as well to catch the right rhyme, meter, and characterization that will come in handly later when keeping original characters consistent with themselves and their setting. (Or in learning the right ways to bend any of them so that they still fit in the framework even if they are deliberately OOC.) The fans can tell when something is done right (usually). Comment and criticism and readers are sometimes better able to help you with your writing and characterization if you’re using an established framework because they can compare to the official work and show where the shortcomings and the good parts are. For some part of building your narrative self and your authorial style, scaffolding works. Taking the step out into original characters just exercises the other part of the good author and narrative, that of building one’s own scaffold to write from. That requires even more courage, because it says “I‘m good enough to try doing this by myself, and I want to further my writing craft.“ It’s the beginning of the step from casual to hardcore, as it were. Once out in that realm, it’s a very short step to ”I’m going to focus on this and dedicate the right kind of time and effort to it to make myself better.” Most people won’t go that far.
In Part II, the authoress says that she hadn’t considered the possibility that people were doing it out of love for the author and her characters (when, if you read the original, she dismisses this very reason as legitimate), because the quality of the fan-fic material she’s seen certainly doesn’t seem to engage in a lot of love, even though all the other creative creations she’s seen or been asked to do are totally okay. What is she talking about? Well, there is one other issue left to discuss...
...and we’ll do it in the next entry.