Shall we talk a bit more about libraries? I know you're always so interested to peer behind the curtain and see the discussions going on, between professionals, between professionals and the public, and between the public and the public about the fate and future points of the library. And it's not just about the foibles of e-books, either.
For those of us still looking for work, or recently out of work, or recently out of school and looking for work, a plea from those on the search committee to stop and take time to craft a good cover letter, as doing so will make you stand out from the other candidates, many of whom have done sloppy cut-and-paste jobs, are talking about things not related to the job they're applying for, or are otherwise disqualifying themselves from the job and making it so they don't get to an interview. For some examples of what got someone at least to the interview stage, Open Cover Letters is offering, with details redacted so that personally identifiable information doesn't appear.
Seperendipity is not quantifiable, or why Statistics, no matter how well kept, will always only provide Lies, and occasionally Damned Lies, about what happens in a library. (The idea of adding narrative is an interesting one. Maybe we should try it out here where I am.)
A grizzled and embattled veteran of administration and the trenches shows how Corporate Culture and Status Quo are wrecking, trashing, and otherwise crushing the dreams of those who enter the profession with idealism and theory, and while she's fought to a satisfying conclusion and winning more of the battles than not, I don't think everyone manages to get to that point in their own job. Organizational Inertia is a hope-killer all by itself, and if you've got the wrong kind of manager or management system, that only adds more onto the pile.
Librarians and libraries should be looking toward the future, even as they struggle with that crushing Inertia that wants them to stay where they are and keep doing what they do. A set of eight articles, with diverse viewpoints about the future of libraries, many of which have been linked to elsewhere and will be discussed further down this posting.
For example, look at how many other services do at least some part of what a library does. What does a library do when several tools are available to have readers figure out what they want to read next? Those algorithms are improving every day, too, and not just in books - Netflix offered a prize for anyone who could demonstrate an improvement to their recommendation process that improved accuracy and fit by 10 percent. At least two teams (I think) met the threshold, and the better team won the prize. And there are also the factions, jockeying for position and each proclaiming their way is the True Way out of the darkness and into continued relevance. As with anything where there are opinions to be evaluated or money to be made, though, recognize that the lenses you are viewing the world through are tinged with colors, rose or otherwise - ones that suit the manufacturer and promoter of those lenses and not necessarily the person looking through them. Or ones that are really blinders, tailoring themselves so as only to let through things that reinforce what the viewer already believes in or shows interest in.
You can have people telling us that our devotion to certain formats are becoming more obsolete with time, and that we haven't been able to leverage ourselves into the new formats, either, on the way to explaining that when the great value of a library is that it has things available locally, the advent of being able to obtain a permanent copy of information and entertainment from anywhere in the world at the speed of a download is going to screw you badly. The suggestion there is for the library to remake itself into being the place where unique things, relevant to the community, are produced, stored, and then served to the wider world, so that when it becomes trivially easy to access anything produced (commercially or not), in whatever format your device reads, the library still has purpose. (And there will still always be that part of a library that serves the people who can't or don't join up with the digital train, but they will become increasingly smaller as devices get better and cheaper. Until then, we have bootstrap tools to get people into the world.)
For example, negotiating a deal such that the library can own and distribute content to its users on the library's terms, not the vendor's (It's what you do after you Just Say No to Freegal or another such thing.) Or trying to stay away from an appeal to sentimentality about what the library was and focusing on what the library is and will be, when pitching the case for continued funding. Or having less space for stacks and more space to access database resources (hopefully owned, rather than leased).
We can take a look at some people talking in fields related to the library, and see how their ideas might apply to our own field. We can test the hypothesis that search is what everyone uses, even on a library website, and see whether or not it's true.
We can do this, assuming that we don't decide to spike the message by piking the messenger(s) or sticking our fingers in our ears and shouting how much we don't want to hear criticism from the outside. (Both links agree with this idea, and are not examples of the kinds of conversations or behaviors to avoid, by the way.) Instead, we could be changing the definitions of what it means to be learning or a learning organization such that we actually can keep up with the trends, experiment a bit, and run a fully successful library, rather than having a couple days a year to get all that knowledge crammed into our heads for us to promptly forget.
And just for fun, here at the end (bravo, you!), explaining an e-reader to someone such as Mr. Charles Dickens, and The CDC uses a zombie outbreak to make a point about emergency preparedness.
Oh, one more thing. a clear and affirmative poster describing rules in the library. We can all do something like that, can't we?
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A sidenote, but one of importance, as it involves a question that many of us brush up against in out lives as artist, remixers, and content adapters and creators. The setup - Kind of Bloop, a chiptune-flavored remix of the tunes on the Miles Davis album Kind of Blue. The project comes through with funding, all is good, and then... the person holding the copyright for a photograph that was the inspiration for the cover of the Kind of Bloop album sued the Kind of Bloop project for copyright infringement. The album cover in question is a pixel-art, de-resolutioned version of the iconic photograph gracing the cover of the Kind of Blue album. (The musical covers themselves had been licensed from the copyright holders) The producer of the album settled out of court for $32,500, a far cry from the hundreds of thousands of dollars in damages sought by the rights holder for the DMVA infringement claimed, but still, more than most people are worth at any given time. This is why it's so easy for rights cabals to collect settlements from those they accuse of infringement - the fines for not being able to defend it will bankrupt someone, period. Thus, there's already a perverse incentive to settle on any claimed infringement rather than go through with it.
But wait - what about fair use? Well, fair use is not strictly defined. There are some tests for it, based on court decisions, which entail examining:
As it later turns out, even had he asked for permission to pixelate the picture, the person holding the copyright would have refused, considering it a corruption of his pure photograph. Which is hiss right to do, even if it makes him appear more of a [bad word] than otherwise for saying so.
And a lot of this wouldn't be an issue if we didn't keep getting copyright term extensions every time some famous icon is about to have their copyright expire. On the original term, it's likely the photo would have been in the public domain, and the whole problem would have been avoided.
So, what do you know about copyright and what exemptions you have to it? And isn't it about time that we stopped having to decide matters of fair use solely by suits, threats thereof, and court cases?
For those of us still looking for work, or recently out of work, or recently out of school and looking for work, a plea from those on the search committee to stop and take time to craft a good cover letter, as doing so will make you stand out from the other candidates, many of whom have done sloppy cut-and-paste jobs, are talking about things not related to the job they're applying for, or are otherwise disqualifying themselves from the job and making it so they don't get to an interview. For some examples of what got someone at least to the interview stage, Open Cover Letters is offering, with details redacted so that personally identifiable information doesn't appear.
Seperendipity is not quantifiable, or why Statistics, no matter how well kept, will always only provide Lies, and occasionally Damned Lies, about what happens in a library. (The idea of adding narrative is an interesting one. Maybe we should try it out here where I am.)
A grizzled and embattled veteran of administration and the trenches shows how Corporate Culture and Status Quo are wrecking, trashing, and otherwise crushing the dreams of those who enter the profession with idealism and theory, and while she's fought to a satisfying conclusion and winning more of the battles than not, I don't think everyone manages to get to that point in their own job. Organizational Inertia is a hope-killer all by itself, and if you've got the wrong kind of manager or management system, that only adds more onto the pile.
Librarians and libraries should be looking toward the future, even as they struggle with that crushing Inertia that wants them to stay where they are and keep doing what they do. A set of eight articles, with diverse viewpoints about the future of libraries, many of which have been linked to elsewhere and will be discussed further down this posting.
For example, look at how many other services do at least some part of what a library does. What does a library do when several tools are available to have readers figure out what they want to read next? Those algorithms are improving every day, too, and not just in books - Netflix offered a prize for anyone who could demonstrate an improvement to their recommendation process that improved accuracy and fit by 10 percent. At least two teams (I think) met the threshold, and the better team won the prize. And there are also the factions, jockeying for position and each proclaiming their way is the True Way out of the darkness and into continued relevance. As with anything where there are opinions to be evaluated or money to be made, though, recognize that the lenses you are viewing the world through are tinged with colors, rose or otherwise - ones that suit the manufacturer and promoter of those lenses and not necessarily the person looking through them. Or ones that are really blinders, tailoring themselves so as only to let through things that reinforce what the viewer already believes in or shows interest in.
You can have people telling us that our devotion to certain formats are becoming more obsolete with time, and that we haven't been able to leverage ourselves into the new formats, either, on the way to explaining that when the great value of a library is that it has things available locally, the advent of being able to obtain a permanent copy of information and entertainment from anywhere in the world at the speed of a download is going to screw you badly. The suggestion there is for the library to remake itself into being the place where unique things, relevant to the community, are produced, stored, and then served to the wider world, so that when it becomes trivially easy to access anything produced (commercially or not), in whatever format your device reads, the library still has purpose. (And there will still always be that part of a library that serves the people who can't or don't join up with the digital train, but they will become increasingly smaller as devices get better and cheaper. Until then, we have bootstrap tools to get people into the world.)
For example, negotiating a deal such that the library can own and distribute content to its users on the library's terms, not the vendor's (It's what you do after you Just Say No to Freegal or another such thing.) Or trying to stay away from an appeal to sentimentality about what the library was and focusing on what the library is and will be, when pitching the case for continued funding. Or having less space for stacks and more space to access database resources (hopefully owned, rather than leased).
We can take a look at some people talking in fields related to the library, and see how their ideas might apply to our own field. We can test the hypothesis that search is what everyone uses, even on a library website, and see whether or not it's true.
We can do this, assuming that we don't decide to spike the message by piking the messenger(s) or sticking our fingers in our ears and shouting how much we don't want to hear criticism from the outside. (Both links agree with this idea, and are not examples of the kinds of conversations or behaviors to avoid, by the way.) Instead, we could be changing the definitions of what it means to be learning or a learning organization such that we actually can keep up with the trends, experiment a bit, and run a fully successful library, rather than having a couple days a year to get all that knowledge crammed into our heads for us to promptly forget.
And just for fun, here at the end (bravo, you!), explaining an e-reader to someone such as Mr. Charles Dickens, and The CDC uses a zombie outbreak to make a point about emergency preparedness.
Oh, one more thing. a clear and affirmative poster describing rules in the library. We can all do something like that, can't we?
----------------------
A sidenote, but one of importance, as it involves a question that many of us brush up against in out lives as artist, remixers, and content adapters and creators. The setup - Kind of Bloop, a chiptune-flavored remix of the tunes on the Miles Davis album Kind of Blue. The project comes through with funding, all is good, and then... the person holding the copyright for a photograph that was the inspiration for the cover of the Kind of Bloop album sued the Kind of Bloop project for copyright infringement. The album cover in question is a pixel-art, de-resolutioned version of the iconic photograph gracing the cover of the Kind of Blue album. (The musical covers themselves had been licensed from the copyright holders) The producer of the album settled out of court for $32,500, a far cry from the hundreds of thousands of dollars in damages sought by the rights holder for the DMVA infringement claimed, but still, more than most people are worth at any given time. This is why it's so easy for rights cabals to collect settlements from those they accuse of infringement - the fines for not being able to defend it will bankrupt someone, period. Thus, there's already a perverse incentive to settle on any claimed infringement rather than go through with it.
But wait - what about fair use? Well, fair use is not strictly defined. There are some tests for it, based on court decisions, which entail examining:
- The purpose and character of your use: Was the material transformed into something new or copied verbatim? Also, was it for commercial or educational use?
- The nature of the copyrighted work
- The amount and substantiality of the portion taken
- The effect of the use upon the potential market
As it later turns out, even had he asked for permission to pixelate the picture, the person holding the copyright would have refused, considering it a corruption of his pure photograph. Which is hiss right to do, even if it makes him appear more of a [bad word] than otherwise for saying so.
And a lot of this wouldn't be an issue if we didn't keep getting copyright term extensions every time some famous icon is about to have their copyright expire. On the original term, it's likely the photo would have been in the public domain, and the whole problem would have been avoided.
So, what do you know about copyright and what exemptions you have to it? And isn't it about time that we stopped having to decide matters of fair use solely by suits, threats thereof, and court cases?