Orbits and Revolutions - Early July 02025
Jul. 16th, 2025 09:45 pmLet's begin with a zine constructed for those who feel like the U.S. Fourth of July holiday is not very representative of the country. Or that it is very representative of the country, and there needs to be a lot of changes.
A useful ponderance on how humans will ascribe beneficence to things they believe are genuine, and will declare things that are identified as copies and knockoffs to have malice, or at least ugliness, associated with them, even though humans, as a whole, are very bad at determining which is authentic and which are not, since that determination tends to be the domain of experts who have studied and have to make such determinations based on their studies and whether a possible forgery matches what they have studied. I think the more interesting thread to tease on this piece is the one that's about the value of enjoying a good fake, because "enjoying a good fake" is pretty well at heart of most human entertainment. We know so many of the stories we tell contain elements of fakery, or special effects that make the fake appear real, and yet we willingly go to them, sometimes repeatedly. I think that's the more interesting route, and the excerpted piece walks around it without answering it. If we get something useful out of the forgery, does the fact that it's a forgery mean that we have to discard everything associated with it? In some cases, the answer is yes, often because the things that came with the forgery are anti-social and harmful to other people, but some of the Pratchettian lies are very, very useful to us. Do we need to discard them, as well? Why are we so upset when something that is warranted as true turns out to be false, even if it is useful, but we do not have similar upset for things that do not warrant themselves as true, even though considerable effort goes in to making them appear as if they are true?
A victory! After a visually impaired man died from falling off a train platform that did not inform him of the edge of the platform, tactile paving has been completed on all of the train platforms so that hopefully there are no further tragedies of the nature of Cleveland Gervais. If someone needs an example of the saying "Regulations are written in blood," this is the kind of thing they can be pointed at.
( And then, the things that are less victorious )
Last for tonight, The Lavender marriage, where at least one of the participants is queer in one form, but the marriage is to someone who the law will see as being right and appropriate, providing protection for the queer person about being seen to obviously as queer.
(Materials via![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
adrian_turtle, azurelunatic, boxofdelights, cmcmck, conuly, cosmolinguist, elf, finch, firecat, jadelennox, jenett, jjhunter, kaberett, lilysea, oursin, rydra_wong, snowynight, sonia, the_future_modernes, thewayne, umadoshi, vass, the ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
meta_warehouse community, little_details, and anyone else I've neglected to mention or who I suspect would rather not be on the list. If you want to know where I get the neat stuff, my reading list has most of it.)
A useful ponderance on how humans will ascribe beneficence to things they believe are genuine, and will declare things that are identified as copies and knockoffs to have malice, or at least ugliness, associated with them, even though humans, as a whole, are very bad at determining which is authentic and which are not, since that determination tends to be the domain of experts who have studied and have to make such determinations based on their studies and whether a possible forgery matches what they have studied. I think the more interesting thread to tease on this piece is the one that's about the value of enjoying a good fake, because "enjoying a good fake" is pretty well at heart of most human entertainment. We know so many of the stories we tell contain elements of fakery, or special effects that make the fake appear real, and yet we willingly go to them, sometimes repeatedly. I think that's the more interesting route, and the excerpted piece walks around it without answering it. If we get something useful out of the forgery, does the fact that it's a forgery mean that we have to discard everything associated with it? In some cases, the answer is yes, often because the things that came with the forgery are anti-social and harmful to other people, but some of the Pratchettian lies are very, very useful to us. Do we need to discard them, as well? Why are we so upset when something that is warranted as true turns out to be false, even if it is useful, but we do not have similar upset for things that do not warrant themselves as true, even though considerable effort goes in to making them appear as if they are true?
A victory! After a visually impaired man died from falling off a train platform that did not inform him of the edge of the platform, tactile paving has been completed on all of the train platforms so that hopefully there are no further tragedies of the nature of Cleveland Gervais. If someone needs an example of the saying "Regulations are written in blood," this is the kind of thing they can be pointed at.
( And then, the things that are less victorious )
Last for tonight, The Lavender marriage, where at least one of the participants is queer in one form, but the marriage is to someone who the law will see as being right and appropriate, providing protection for the queer person about being seen to obviously as queer.
(Materials via
adrian_turtle, azurelunatic, boxofdelights, cmcmck, conuly, cosmolinguist, elf, finch, firecat, jadelennox, jenett, jjhunter, kaberett, lilysea, oursin, rydra_wong, snowynight, sonia, the_future_modernes, thewayne, umadoshi, vass, the meta_warehouse community, little_details, and anyone else I've neglected to mention or who I suspect would rather not be on the list. If you want to know where I get the neat stuff, my reading list has most of it.)
