[O hai. It's December Days time, and this year, I'm taking requests, since it's been a while and I have new people on the list and it's 2020, the year where everyone is both closer to and more distant from their friends and family. So if you have a thought you'd like me to talk about on one of these days, let me know and I'll work it into the schedule. That includes things like further asks about anything in a previous December Days tag, if you have any questions on that regard.]
We've almost made it to the end of this year, calendar-wise. There will be a lot of round-ups, and lists and all sorts of things where people summarize what they've watched, read, written, and the like. And I'll be indulging myself in the writing summary, once all of the anonymity periods have expired so I can claim them as my own. It'll just be what's on AO3, because that's the new stuff that people might be interested in. The Giving of Grief is basically another many tens of thousands of words toward the total count of what I've written this year, although I don't think of it as that, along with all of the roundup posts, and posting challenges like this one that I also don't figure into my wordcount for the year, because they're not fiction efforts, so, well, it's not that they don't count, strictly speaking, it's that a lot of them are things that either quote from the source material, or are commentary on links, or are things I've done for work, which, y'know, are still words, but they don't count because they're e-mails and documents and comments and all of that, too. I don't count my comments, certainly, as part of my words written for the year. So, I feel like there's a lot of words that I do write and don't count and that if I had someone who could count all of the words that I actually write in a year, across all the things that I do write, it would look really impressive, as a number. So, y'know, "what counts" is how we determine how many words happened this year. And I do a lot of "that doesn't count" on my words, because they're not for specific purposes that "count."
However, this question isn't about what I've done for writing, but instead what I've done for reading or viewing or otherwise experiencing.
And now I have to think about what I've actually consumed in this year, compared to any other year. This was the year the She-Ra and the Princesses of Power fandom were able to run up and down the corridors of the Internet declaring the absolute canonicity of Catradora (and how much the showrunner reveled in this) and that I was also able to enjoy a series where there wasn't fridging or Bury Your Gays after the declaration of explicit interests. I still have questions about Entrapta's treatment, which doesn't make it a favorite for me for this year, but it was on a good list for me.
I'm pretty sure I read through some graphic novels this year, because I had time to do so, so I went all the way through Making Friends. And I know I did the Midwinter Witch and a lot of Phoebe and her Unicorn, and a good amount of Iron Circus and Power and Magic Press materials, and quite a few of things that I ended up backing on Kickstarter, even though the pandemic completely messed with the ability of people to print books on the timeline that they were hoping for. The fact that they're not standing out doesn't mean they're not good, just that it was a pandemic year and I already have a loose association with when I watched and did things. I suspect it has some things to do with my neuroatypicality. And possibly also as a trauma defense mechanism, to let go of time stamps for things so that I didn't have to think about how long it has been or how long things were going on, or also that part where trauma makes it really hard to think about things in the long term or to have a time horizon past the immediate future.
In some very recent and seasonally appropriate media viewing, I have to say that I enjoyed quite thoroughly a three-episode program called "Rocket Around The Christmas Tree" which gave rocketry enthusiasts and professionals various challenges to perform, all of which had the same basic principle of strapping rockets to Christmas kitsch and trying to make them fly. Which, many of them did fly, even if not always according to plan. It was a delight to see some use gotten out of the various pieces of decoration that were tasked with being taken apart and modified into flight-capable objects. If you are someone who would enjoy seeing some revenge taken against Christmas-2b kinds of objects, and you have a subscription to Discovery Channel available to you, I would recommend watching it. Especially for some of the launches that go exactly according to plan.
I also did a little bit of game-playing in 2020, and finished some visual novels and played several rounds of Kind Words, and kept up my Pokemon Go habits, but I think I'm playing a lot more of older games than starting with new ones. A lot of my game-playing has either been on the Tabletop Simulator or using one of the various Jackbox Party Packs to play with friends and family, and those have been fun, mostly for the connecting and staying connected to other people aspects of the game. The "Blather Round" game in Party Pack 7 is good for people who like trying to construct useful clues from limited vocabulary available. And it's also hosted by Symphony Sanders, whose voice is nice to have in a thing that's different than the Night Vale network podcasts.
It's hard to think about a specific favorite when you've been trying to consume all the youtube videos and music and short film and creative output that keeps happening all across the year. There's been two clip shows of a comedy-variety show that's local to the Major Metroplitan Area one hop away from home, which have been great to watch and see, there's been watching David Tennant and Catherine Tate's Much Ado About Nothing, finally, and we got to see the isuas associated with Hamilton's soundtrack when it finally went up somewhere that it could be seen, rather than having to go see it live in a pandemic.
And, I don't know, maybe it's the recency bias working, or because the selections for music were really good ones for me, or maybe because it's just something that I really wanted and needed in this year, a year where there hasn't been live shows and movies being seen and making music in front of others in a live setting, but I got an absolute gem of a gift this year for the Disney Animated Movie exchange in pinch hit form, structured and narrated and put together like it was a third Fantasia movie, in such a way that I would love for fan-animators to put it together, but that would cost a lot of money and time to do for something that couldn't be sold under the Fantasia banner, because the House of Mouse is very jealous of their stuff and doesn't want to give anything up, ever, that they've claimed for themselves or bought for themselves. So it won't happen in any sort of fully-animated, voiced, and narrated form, but it was such a good gift that I wanted it to. So, the best thing that I've seen and listened to in media this year is Fantasia 2020, featuring selections from Holst, Rodrigo, Debussy, Stravinsky, Berlioz, Schubert, Satie, and Saint-Saëns. I hope that you get to enjoy it as much as I do.
We've almost made it to the end of this year, calendar-wise. There will be a lot of round-ups, and lists and all sorts of things where people summarize what they've watched, read, written, and the like. And I'll be indulging myself in the writing summary, once all of the anonymity periods have expired so I can claim them as my own. It'll just be what's on AO3, because that's the new stuff that people might be interested in. The Giving of Grief is basically another many tens of thousands of words toward the total count of what I've written this year, although I don't think of it as that, along with all of the roundup posts, and posting challenges like this one that I also don't figure into my wordcount for the year, because they're not fiction efforts, so, well, it's not that they don't count, strictly speaking, it's that a lot of them are things that either quote from the source material, or are commentary on links, or are things I've done for work, which, y'know, are still words, but they don't count because they're e-mails and documents and comments and all of that, too. I don't count my comments, certainly, as part of my words written for the year. So, I feel like there's a lot of words that I do write and don't count and that if I had someone who could count all of the words that I actually write in a year, across all the things that I do write, it would look really impressive, as a number. So, y'know, "what counts" is how we determine how many words happened this year. And I do a lot of "that doesn't count" on my words, because they're not for specific purposes that "count."
However, this question isn't about what I've done for writing, but instead what I've done for reading or viewing or otherwise experiencing.
What's your favorite media (of any sort) consumed this year?
And now I have to think about what I've actually consumed in this year, compared to any other year. This was the year the She-Ra and the Princesses of Power fandom were able to run up and down the corridors of the Internet declaring the absolute canonicity of Catradora (and how much the showrunner reveled in this) and that I was also able to enjoy a series where there wasn't fridging or Bury Your Gays after the declaration of explicit interests. I still have questions about Entrapta's treatment, which doesn't make it a favorite for me for this year, but it was on a good list for me.
I'm pretty sure I read through some graphic novels this year, because I had time to do so, so I went all the way through Making Friends. And I know I did the Midwinter Witch and a lot of Phoebe and her Unicorn, and a good amount of Iron Circus and Power and Magic Press materials, and quite a few of things that I ended up backing on Kickstarter, even though the pandemic completely messed with the ability of people to print books on the timeline that they were hoping for. The fact that they're not standing out doesn't mean they're not good, just that it was a pandemic year and I already have a loose association with when I watched and did things. I suspect it has some things to do with my neuroatypicality. And possibly also as a trauma defense mechanism, to let go of time stamps for things so that I didn't have to think about how long it has been or how long things were going on, or also that part where trauma makes it really hard to think about things in the long term or to have a time horizon past the immediate future.
In some very recent and seasonally appropriate media viewing, I have to say that I enjoyed quite thoroughly a three-episode program called "Rocket Around The Christmas Tree" which gave rocketry enthusiasts and professionals various challenges to perform, all of which had the same basic principle of strapping rockets to Christmas kitsch and trying to make them fly. Which, many of them did fly, even if not always according to plan. It was a delight to see some use gotten out of the various pieces of decoration that were tasked with being taken apart and modified into flight-capable objects. If you are someone who would enjoy seeing some revenge taken against Christmas-2b kinds of objects, and you have a subscription to Discovery Channel available to you, I would recommend watching it. Especially for some of the launches that go exactly according to plan.
I also did a little bit of game-playing in 2020, and finished some visual novels and played several rounds of Kind Words, and kept up my Pokemon Go habits, but I think I'm playing a lot more of older games than starting with new ones. A lot of my game-playing has either been on the Tabletop Simulator or using one of the various Jackbox Party Packs to play with friends and family, and those have been fun, mostly for the connecting and staying connected to other people aspects of the game. The "Blather Round" game in Party Pack 7 is good for people who like trying to construct useful clues from limited vocabulary available. And it's also hosted by Symphony Sanders, whose voice is nice to have in a thing that's different than the Night Vale network podcasts.
It's hard to think about a specific favorite when you've been trying to consume all the youtube videos and music and short film and creative output that keeps happening all across the year. There's been two clip shows of a comedy-variety show that's local to the Major Metroplitan Area one hop away from home, which have been great to watch and see, there's been watching David Tennant and Catherine Tate's Much Ado About Nothing, finally, and we got to see the isuas associated with Hamilton's soundtrack when it finally went up somewhere that it could be seen, rather than having to go see it live in a pandemic.
And, I don't know, maybe it's the recency bias working, or because the selections for music were really good ones for me, or maybe because it's just something that I really wanted and needed in this year, a year where there hasn't been live shows and movies being seen and making music in front of others in a live setting, but I got an absolute gem of a gift this year for the Disney Animated Movie exchange in pinch hit form, structured and narrated and put together like it was a third Fantasia movie, in such a way that I would love for fan-animators to put it together, but that would cost a lot of money and time to do for something that couldn't be sold under the Fantasia banner, because the House of Mouse is very jealous of their stuff and doesn't want to give anything up, ever, that they've claimed for themselves or bought for themselves. So it won't happen in any sort of fully-animated, voiced, and narrated form, but it was such a good gift that I wanted it to. So, the best thing that I've seen and listened to in media this year is Fantasia 2020, featuring selections from Holst, Rodrigo, Debussy, Stravinsky, Berlioz, Schubert, Satie, and Saint-Saëns. I hope that you get to enjoy it as much as I do.